The Canterbury Tales — interlinear Middle English–English · Chaucer on horseback, the Ellesmere manuscript
in the press · the prologue · middle english

The Canterbury Tales

Twenty-nine pilgrims meet at a London inn and agree to tell stories all the way to Canterbury.

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A taste: every book reads word beneath word
τὰ
tà
the
μέγιστα
mégista
greatest
τῶν
tôn
of the
ἀγαθῶν
agathôn
goods
ἡμῖν
hēmîn
for us
“The greatest of goods come to be for us through madness.” A line of the finished Phaedrus

This is how every Great Library book reads, word beneath word. The Canterbury Tales’s own first lines appear here the day its pilot is pressed.

About this book

Why read it

Chaucer's book of stories told on the road. Twenty-nine pilgrims meet at an inn in Southwark and ride together to the shrine of Thomas Becket at Canterbury, and the innkeeper proposes a game: each of them will tell tales on the way, and the best teller wins a supper paid for by the rest. A knight, a miller, a prioress, a cook and a much-married widow from Bath all speak in their own voices, from courtly romance to some of the bawdiest stories in English. We are pressing it from the first line, in Chaucer's own Middle English with the modern word under each of his. The opening of the General Prologue is live as a beta, and a gift of any size helps press the rest.

The lore

Geoffrey Chaucer (c. 1343–1400) was the son of a London wine merchant and spent his working life in royal service: page, soldier, diplomat in France and Italy, and Controller of Customs for the port of London. He began the Tales around 1387 and was still at work on them when he died in 1400, leaving about two dozen tales of the many more the Host's plan called for. He wrote in the English of London in his day, Middle English, when the court still read French and scholars wrote Latin. He was buried in Westminster Abbey, in what later became Poets' Corner.

What’s juicy

When the drunken Miller insists on telling his tale straight after the noble Knight's, Chaucer stops to warn us that it is a churl's tale, and if we would rather not hear it: 'Turne over the leef, and chese another tale.' Turn the page and choose another. The Miller's story of a carpenter, his young wife, a lodger and a window is one of the funniest things in English.

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Why pressing it matters

Making an interlinear The Canterbury Tales is real work: freezing a scholarly source text, aligning every word to its dictionary form, glossing what resists translation, and proofing it all to a hard quality bar. Pressing a book is how that work gets funded. When enough readers press it, the General Prologue gets made, and then it is free to read forever, for you and for everyone who comes after.

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