EENŪMA ELIŠ
in the press · tablets i, iv and vi · akkadian

Enūma eliš

Before anything had a name there were two waters, Apsû and Tiamat. A young god splits the sea in two to make the sky, and makes people from a rebel god's blood to do the gods' work.

❦ Read the opening ›A taste is live: the opening of Tablet I, Marduk splitting Tiamat in Tablet IV and the making of humankind in Tablet VI. Langdon’s Akkadian sign by sign, the cuneiform over every syllable, with Muss-Arnolt’s dictionary a tap away. Free.

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A taste: every book reads word beneath word
τὰ
tà
the
μέγιστα
mégista
greatest
τῶν
tôn
of the
ἀγαθῶν
agathôn
goods
ἡμῖν
hēmîn
for us
“The greatest of goods come to be for us through madness.” A line of the finished Phaedrus

This is how every Great Library book reads, word beneath word. Enūma eliš’s own first lines appear here the day its pilot is pressed.

About this book

Why read it

Enūma eliš, “when on high”, is the Babylonian story of how the world began. Two waters, the sweet Apsû and the salt Tiamat, mingle and give birth to the gods. The young gods disturb them, and war follows. Marduk agrees to fight Tiamat if the gods make him their king; he kills her, splits her body to make the sky and the earth, and makes humankind from the blood of her general so that the gods can rest. The press starts with the opening of Tablet I, the splitting of Tiamat in Tablet IV and the making of humans in Tablet VI.

The lore

The poem was probably composed in the late second millennium BC and was recited in Babylon at the New Year festival. Copies have been found at Assur, Nineveh, Babylon and Sippar. When George Smith published the Nineveh fragments in 1876 as The Chaldean Account of Genesis, readers saw at once how close it came to the first chapter of the Bible.

What’s juicy

Marduk splits Tiamat “like a fish for drying”, sets half of her up as the sky, and posts guards so her waters cannot pour down. Genesis also has waters above a solid sky, and at the flood “the windows of heaven were opened”.

Read from our finished collection ›

Why pressing it matters

Making an interlinear Enūma eliš is real work: freezing a scholarly source text, aligning every word to its dictionary form, glossing what resists translation, and proofing it all to a hard quality bar. Pressing a book is how that work gets funded. When enough readers press it, Tablet I gets made, and then it is free to read forever, for you and for everyone who comes after.

This isn’t a purchase. It’s a commission. You’re not buying a copy; you’re paying for the thing to exist, and putting your name (if you like) on the first true Enūma eliš that anyone can read for free.

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