Clasping, pressing, melting
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pouco a pouco, todas quatro, pegando-se, apertando-se, fundindo-se.
little by little, all four, clasping, pressing, melting together.
All four hands join, little by little.
Three gerunds mount toward union: 'pegando-se, apertando-se, fundindo-se' — clasping, pressing, melting. Machado stages the joining of four hands as a slow crescendo, each participle a further degree of fusion, until the separate flesh seems to run together. The reflexive '-se' on each verb keeps the hands mutual, doing to themselves what they do to each other.
The final word, 'fundindo-se,' melting or fusing, is the key. It announces the chapter's governing idea — that the two children momentarily become one being, a fusion the later liturgical passage will call a single seraphic creature. Machado, ever the ironist, lets this rapturous merging stand unmocked, one of the rare unqualified ecstasies in a book run by suspicion. Yet the reader who knows the ending feels the ache: this perfect fusion is the very union the jealous old man will decide was never real, never wholly his.
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