Dom Casmurro 14.25 · 14.25

Wandering close by

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e depois de vagarem ao perto,

and after wandering close by,

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eianddepoisde-POYSafterdedjifrom thevagaremva-GA-reynwanderingaoauthe / topertoPER-tuclose by,

The setting

The eyes rove briefly before returning.

A note on this passage

The eyes stray, but only a little: they wander 'ao perto,' nearby, never far from each other. Machado catches the way a shy gaze will drift off and yet keep its object within reach, orbiting rather than departing. The verb 'vagarem,' to wander, gives the eyes a small liberty that the phrase 'ao perto' immediately reins in.

It is a delicate physics of intimacy — freedom and gravitation held in balance, the look permitted to roam so long as it stays close. The image belongs to the chapter's larger pattern of nearness, the same proximity written into the shared wall and the neighbouring houses. Even when the eyes rove, they cannot get away; something keeps them in the small orbit of each other. Machado renders young love as a kind of local weather, all its motion confined to a tiny, charged space between two faces a breath apart.

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