Dom Casmurro 16.63 · 16.63

Sewn to the wall

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Nos dias seguintes, continuou a entrar e sair de casa,

In the following days, he kept coming in and going out of the house,

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NosnusIn thediasDEE-asdaysseguintesse-GHEEN-tesfollowing,continuoukon-chi-noo-OHhe continuedaatoentraren-TRARentereiandsairsa-EERleavededjiofcasaKA-zathe house,

The setting

After his fall from office, Pádua slinks in and out of the house.

A note on this passage

The chapter has just deposed Pádua from his brief interim office, and Machado now measures the aftershock in the man's body. He still comes and goes on his errands — the verb 'continuou' insists on the unbroken routine — but the routine is emptied of the strut it once had. Habit persists; the spirit inside it has gone quiet.

This is Machado's tenderest kind of comedy: not mockery of Pádua's collapse but exact observation of it. The narrator watches a neighbor humbled and records the humbling in gait alone, without a word of judgment. A small vanity, briefly fed, has been withdrawn, and the withdrawal leaves the whole small man diminished at his own doorstep.

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