All but the part about her
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eu contei-lh'a toda, menos a parte que lhe dizia respeito.
I told it all to her, except the part that concerned her.
Bento reports everything, hiding only what concerned Capitú herself.
Here is Bento's first real deceit of Capitú, and it is tender rather than cruel: 'contei-lh'a toda, menos a parte que lhe dizia respeito.' He gives her the whole conversation but withholds the part about her — presumably the wounding way she was spoken of, or his mother's fears about the match. The omission is meant to spare her.
Yet the old narrator sets it down without comment, and it lands with irony. This is a novel whose entire tragedy will turn on things half-told, on evidence withheld and construed. Bento's small, kind edit here rhymes forward to the man who will one day refuse to tell Capitú what he suspects and instead act on it in silence. Even now, at the outset of love, he manages information about her rather than simply speaking it — the germ of the reticence that will destroy them.
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