But that isn't what I asked
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prima Justina — — Sim, é bonita; mas o que pergunto
Yes, it's lovely; but what I'm asking
Justina refuses the generality and sharpens her question.
Justina grants the boy his generality and immediately steps past it. 'Sim, é bonita; mas...' — the concession is only a pivot; the 'but' does all the work. She has caught the evasion and will not let it stand, redirecting from the abstract loveliness of the life to the concrete question of his will.
Here the sharp-eyed cousin proves her use. Where Dona Glória's world moves in vows and pieties, Justina insists on the plain point: not is the priesthood lovely, but do you want it. Her frankness, so unsettling a page ago, becomes a kind of clarity, the one voice in the house pressing Bentinho toward the truth about himself — a truth he is not yet ready, or able, to speak.
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Dom Casmurro 21.21 — The Great Library Project interlinear edition · greatlibraryproject.com/book/domcasmurro/21.21/