Dom Casmurro 21.36 · 21.36

that very afternoon

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dizendo que ainda naquella tarde

saying that that very afternoon

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dizendodji-ZEN-dusayingquekithataindaa-EEN-dathat verynaquellana-KE-lathattardeTAR-djiafternoon

The setting

The detail: José Dias had acted just hours before.

A note on this passage

The freshness of the detail is its sting. Not last month, not vaguely: 'ainda naquella tarde,' that same afternoon, only hours before this conversation. José Dias's campaign is not a settled old fact but a live, ongoing pressure, renewed daily.

Machado tightens the timeline to make the threat feel present rather than historical. The promise Dona Glória made when Bento was born might have faded into the past, but the agregado keeps it warm, pressing it forward again and again in the immediate now. By anchoring the meddling to this very afternoon, Justina turns an old vow into a current emergency, and Bento — listening behind his arranged face — is made to feel how close the danger stands.

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