that very afternoon
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dizendo que ainda naquella tarde
saying that that very afternoon
The detail: José Dias had acted just hours before.
The freshness of the detail is its sting. Not last month, not vaguely: 'ainda naquella tarde,' that same afternoon, only hours before this conversation. José Dias's campaign is not a settled old fact but a live, ongoing pressure, renewed daily.
Machado tightens the timeline to make the threat feel present rather than historical. The promise Dona Glória made when Bento was born might have faded into the past, but the agregado keeps it warm, pressing it forward again and again in the immediate now. By anchoring the meddling to this very afternoon, Justina turns an old vow into a current emergency, and Bento — listening behind his arranged face — is made to feel how close the danger stands.
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Dom Casmurro 21.36 — The Great Library Project interlinear edition · greatlibraryproject.com/book/domcasmurro/21.36/