Are you crying?
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Está chorando?
Are you crying?
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'Está chorando?' — are you crying? The plainest of questions, and it changes everything. Dona Glória's tears are the true end of the argument: where reasons failed to move anyone, feeling settles it. We are not told exactly why she weeps — the strain of the decision, the thought of parting with her son, the guilt of the vow, José Dias's insinuations all pressing at once — and the not-telling is Machado's art. Behind the door, Bento sees his mother's grief become the force that will send him away, and learns young how tears can decide what arguments cannot.
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Dom Casmurro 3.94 — The Great Library Project interlinear edition · greatlibraryproject.com/book/domcasmurro/3.94/