The orchestration is excellent
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muitos bailados, e a orchestração é excellente...
many ballets, and the orchestration is excellent...
He praises the score before the objection cuts in.
The tenor rounds off his enthusiasm with a critic's verdict: 'muitos bailados, e a orchestração é excellente'—many ballets, and the orchestration is excellent. He is now reviewing life as if it were a production he admired, praising its spectacle and its scoring. The trailing ellipsis lets the appreciation run on, the old man carried away by his own conceit.
The praise of the 'orchestração' quietly sets up the fuller theory the chapter will reach, where the music of the world has a composer with a darker reputation than its librettist. For now the tenor is simply delighted—life is a lavish show, well mounted, richly played. Machado suspends him at the height of his approval precisely so the narrator can interrupt, puncturing the rapture with a doubt the reader has been holding all along.
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Dom Casmurro 9.24 — The Great Library Project interlinear edition · greatlibraryproject.com/book/domcasmurro/9.24/