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in the press · dialogue 5 · leaena and megilla · ancient greek

Dialogues of the Courtesans

Two courtesans gossip. Clonarium has heard that Leaena is living with Megilla, a rich woman from Lesbos, and wants to know everything. Leaena isn't sure she should tell.

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A taste: every book reads word beneath word
τὰ
tà
the
μέγιστα
mégista
greatest
τῶν
tôn
of the
ἀγαθῶν
agathôn
goods
ἡμῖν
hēmîn
for us
“The greatest of goods come to be for us through madness.” A line of the finished Phaedrus

This is how every Great Library book reads, word beneath word. Dialogues of the Courtesans’s own first lines appear here the day its pilot is pressed.

About this book

Why read it

Lucian wrote a set of short comic scenes in which courtesans talk among themselves about money, lovers, mothers and rivals. The fifth is the one people remember. Leaena tells her friend how Megilla and Demonassa invited her in, and how Megilla pulled off a wig, showed a head shaved close like an athlete's, and said her name was Megillus. We are pressing dialogue 5 first. It is being pressed now and can't be read here yet. Support it and it opens sooner.

The lore

Lucian was born in Samosata on the Euphrates in the second century AD, wrote in Greek, and made his name as a travelling speaker before he turned to comic dialogues. His True Story, a voyage to the moon, is in the press here too.

What’s juicy

Asked if she is a man, Megillus says: I was born a woman like the rest of you, but I have the mind and the desires of a man. When Clonarium asks what happened next, Leaena stops. By Aphrodite, she won't say.

Part of the shelf on love and gender through the millennia ›
Read from our finished collection ›

Why pressing it matters

Making an interlinear Dialogues of the Courtesans is real work: freezing a scholarly source text, aligning every word to its dictionary form, glossing what resists translation, and proofing it all to a hard quality bar. Pressing a book is how that work gets funded. When enough readers press it, Dialogue 5 · Leaena and Megilla gets made, and then it is free to read forever, for you and for everyone who comes after.

This isn’t a purchase. It’s a commission. You’re not buying a copy; you’re paying for the thing to exist, and putting your name (if you like) on the first true Dialogues of the Courtesans that anyone can read for free.

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