The Siren Vase — Odysseus bound to the mast; Attic red-figure, c. 480 BC, British Museum
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Odyssey 10.278 · Book 10, lines 278–280

In the shape of a young man

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ἐρχομένῳ πρὸς δῶμα, νεηνίῃ ἀνδρὶ ἐοικώς, πρῶτον ὑπηνήτῃ, τοῦ περ χαριεστάτη ἥβη· ἔν τʼ ἄρα μοι φῦ χειρί, ἔπος τʼ ἔφατʼ ἔκ τʼ ὀνόμαζε·

as I came toward the house, like a young man, in his first beard, whose youth is most graceful; and he clung to my hand, and spoke a word, and called me by name:

Word by word

ἐρχομένῳerchoménōias I cameπρὸςpròstowardδῶμαdômathe house,νεηνίῃneēníēia youngἀνδρὶandrìmanἐοικώςeoikṓslike,πρῶτονprôtonin his firstὑπηνήτῃhypēnḗtēibeard,τοῦtoûwhoseπερper(indeed)χαριεστάτηchariestátēmost gracefulἥβηhḗbēis the youth·ἔνén(onto)τʼt’(and)ἄραára(then)μοιmoimyφῦphŷhe clungχειρίcheiríto my hand,ἔποςéposa wordτʼt’andἔφατʼéphat’spokeἔκék(out)τʼt’(and)ὀνόμαζεonómazenamed me·

The setting

Hermes appears to Odysseus not as a god but disguised as a youth in the first bloom of manhood. He takes Odysseus's hand and begins to speak.

A note on this passage

The god comes gentled into human form — a boy at the loveliest age, whose beard is only just showing. The physical detail is tender and precise, and the gesture that follows, taking Odysseus by the hand, is the touch of a friend, not a power.

The disguise is the recurring Homeric grammar of divine contact: gods rarely appear as themselves. Choosing the shape of a youth at the peak of grace, Hermes meets the weary, much-enduring captain with his opposite — untried youth beside long experience. The kindness of the gesture disarms before the warning even begins.

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