The Siren Vase — Odysseus bound to the mast; Attic red-figure, c. 480 BC, British Museum
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Odyssey 10.296 · Book 10, lines 296–298

Do not refuse her bed

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Hermes — ἡ δέ σʼ ὑποδείσασα κελήσεται εὐνηθῆναι· ἔνθα σὺ μηκέτʼ ἔπειτʼ ἀπανήνασθαι θεοῦ εὐνήν, ὄφρα κέ τοι λύσῃ θʼ ἑτάρους αὐτόν τε κομίσσῃ·

And she, afraid, will bid you to lie with her; then you must not after that refuse the goddess's bed, so that she may free your comrades and take care of you yourself.

Word by word

Hermes
sheδέ(and)σʼs’youὑποδείσασαhypodeísasashrinking in fearκελήσεταιkelḗsetaiwill bidεὐνηθῆναιeunēthênaito lie with her·ἔνθαénthathenσὺyouμηκέτʼmēkét’must notἔπειτʼépeit’after thatἀπανήνασθαιapanḗnasthairefuseθεοῦtheoûthe goddess'sεὐνήνeunḗnbed,ὄφραóphraso thatκέ(surely)τοιtoifor youλύσῃlýsēishe may freeθʼth’(and)ἑτάρουςhetárousyour comradesαὐτόνautónyourselfτεteandκομίσσῃkomíssēicare for·

The setting

Hermes continues: once Odysseus has cowed her, Circe will invite him to her bed. He must accept — not for its own sake, but so she will release his men and treat him well.

A note on this passage

The counsel turns practical and cold. The goddess, once frightened, will offer the bed; Odysseus is to accept, and the reason given is transactional — so that she frees the crew and cares for him. The union is a term of surrender, not desire.

Under the instruction runs the logic of the whole scene: power, not intimacy. Circe yields only when threatened, and the bed seals her submission on terms Odysseus dictates. The poem is unsentimental about it. The named prize is not the goddess but the men in the sty — the captain's aim throughout is the crew, and even this is a means to their release.

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