The Siren Vase — Odysseus bound to the mast; Attic red-figure, c. 480 BC, British Museum
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Odyssey 2.430 · Book 2, lines 430–434

Libations, and the ship holds her way through the night

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δησάμενοι δʼ ἄρα ὅπλα θοὴν ἀνὰ νῆα μέλαιναν στήσαντο κρητῆρας ἐπιστεφέας οἴνοιο, λεῖβον δʼ ἀθανάτοισι θεοῖς αἰειγενέτῃσιν, ἐκ πάντων δὲ μάλιστα Διὸς γλαυκώπιδι κούρῃ. παννυχίη μέν ῥʼ ἥ γε καὶ ἠῶ πεῖρε κέλευθον.

Then, when they had lashed fast the tackle throughout the swift black ship, they set up mixing-bowls brimming with wine, and poured libations to the immortal, everlasting gods — and out of them all, most of all to the grey-eyed daughter of Zeus. All night long, and on into the dawn, she cut her way along her path.

Word by word

δησάμενοιdēsámenoihaving lashed fastδʼd’(and)ἄραára(then)ὅπλαhóplathe tackleθοὴνthoḕnswiftἀνὰanàthroughoutνῆαnêathe shipμέλαινανmélainanblackστήσαντοstḗsantothey set upκρητῆραςkrētêrasmixing-bowlsἐπιστεφέαςepistephéasbrimmingοἴνοιοoínoiowith wine,λεῖβονleîbonand poured libationsδʼd’(and)ἀθανάτοισιathanátoisito the immortalθεοῖςtheoîsgodsαἰειγενέτῃσινaieigenétēisinthe everlasting,ἐκekout ofπάντωνpántōnthem allδὲ(and)μάλισταmálistamost of allΔιὸςDiòsZeus'sγλαυκώπιδιglaukṓpidito the grey-eyedκούρῃkoúrēidaughter.παννυχίηpannychíēall night longμένmén(indeed)ῥʼrh’(then)hḕsheγεge(for her part)καὶkaìand [on into]ἠῶēôthe dawnπεῖρεpeîrecut her way throughκέλευθονkéleuthonher path.

The setting

With the sail drawing, the crew lash the gear fast, set out bowls brimming with wine, and pour offerings to the gods — most of all to Athena, whose wind carries them. Book 2 ends not on arrival but on motion, the ship holding her course through the night and into dawn.

A note on this passage

The crew make the gear fast, set out mixing-bowls filled to the brim, and pour wine to the everlasting gods — and, out of all of them, most to grey-eyed Athena. Then the last line lets the ship run: all night and on into the dawn she cleaves her path across the sea.

The undercurrent is a quiet gratitude that names its source. The men do not know, as the reader does, that Athena walks with Telemachus in disguise — yet their fullest offering goes to her, the very goddess whose wind is now in their sail. Book 2 closes on an image of trust rather than arrival: the goddess's breath, the crew's thanks, and an unbroken course held through the dark.

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