The Siren Vase — Odysseus bound to the mast; Attic red-figure, c. 480 BC, British Museum
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Odyssey 3.193 · Book 3, lines 193–194

Even you have heard of Agamemnon

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Ἀτρεΐδην δὲ καὶ αὐτοὶ ἀκούετε, νόσφιν ἐόντες, ὥς τʼ ἦλθʼ, ὥς τʼ Αἴγισθος ἐμήσατο λυγρὸν ὄλεθρον.

And of Atreus' son you yourselves have heard, far away though you are — how he came home, and how Aegisthus contrived his grievous death.

Word by word

ἈτρεΐδηνAtreḯdēnof Atreus' sonδὲ(and)καὶkaìalsoαὐτοὶautoìyourselvesἀκούετεakoúeteyou have heard,νόσφινnósphinfar awayἐόντεςeóntesthough you are,ὥςhṓshowτʼt’(and)ἦλθʼêlth’he came home,ὥςhṓshowτʼt’(and)ΑἴγισθοςAígisthosAegisthusἐμήσατοemḗsatocontrivedλυγρὸνlugrònhis grievousὄλεθρονólethrondeath.

The setting

Nestor shifts from the captains who returned safely to the one whose homecoming became a catastrophe: Agamemnon, murdered by Aegisthus. He assumes the tale has reached even distant Ithaca.

A note on this passage

Nestor turns from the safe returns to the famous ruined one. Of Agamemnon, he says, even Telemachus and his companions must have heard, distant as Ithaca is: how the king came home from Troy, and how Aegisthus engineered his murder. The story is treated as common knowledge.

This is the poem's dark mirror clicking into place. The murdered king, the treacherous kinsman, the homecoming turned into a trap — it is the shadow-version of what could await Odysseus in a house full of suitors. Homer keeps returning to Agamemnon's fate so the reader will hold it beside Odysseus's, and measure the difference a loyal house makes.

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