The Siren Vase — Odysseus bound to the mast; Attic red-figure, c. 480 BC, British Museum
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Odyssey 3.276 · Book 3, lines 276–280

Apollo kills the helmsman at Sunium

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ἡμεῖς μὲν γὰρ ἅμα πλέομεν Τροίηθεν ἰόντες, Ἀτρεΐδης καὶ ἐγώ, φίλα εἰδότες ἀλλήλοισιν· ἀλλʼ ὅτε Σούνιον ἱρὸν ἀφικόμεθʼ, ἄκρον Ἀθηνέων, ἔνθα κυβερνήτην Μενελάου Φοῖβος Ἀπόλλων οἷς ἀγανοῖς βελέεσσιν ἐποιχόμενος κατέπεφνε,

For we sailed together, coming from Troy, the son of Atreus and I, knowing kind thoughts toward one another; but when we reached holy Sunium, the cape of Athens, there Phoebus Apollo slew Menelaus's helmsman, assailing him with his gentle shafts.

Word by word

ἡμεῖςhēmeîsweμὲνmèn(indeed)γὰρgàrforἅμαhámatogetherπλέομενpléomenwe sailedΤροίηθενTroíēthenfrom Troyἰόντεςióntescoming,ἈτρεΐδηςAtreḯdēsthe son of AtreusκαὶkaìandἐγώegṓI,φίλαphílakind thoughtsεἰδότεςeidótesknowingἀλλήλοισινallḗloisintoward one another·ἀλλʼall’butὅτεhótewhenΣούνιονSoúnionSuniumἱρὸνhirónholyἀφικόμεθʼaphikómeth’we reached,ἄκρονákronthe capeἈθηνέωνAthēnéōnof Athens,ἔνθαénthathereκυβερνήτηνkybernḗtēnthe helmsmanΜενελάουMeneláouof MenelausΦοῖβοςPhoîbosPhoebusἈπόλλωνApóllōnApolloοἷςhoîs[with] his ownἀγανοῖςaganoîsgentleβελέεσσινbeléessinshaftsἐποιχόμενοςepoichómenosassailing [him]κατέπεφνεkatépephneslew,

The setting

Nestor turns from Aegisthus to his own voyage home. He and Menelaus sailed together from Troy as friends; but rounding Cape Sunium, the headland of Attica, Apollo struck down Menelaus's steersman with the painless arrows the god sends to bring a sudden death.

A note on this passage

Nestor begins his own return. He and Menelaus set out from Troy together, on good terms, and got as far as Cape Sunium off Athens — and there Apollo killed Menelaus's helmsman. The plain event is a single unlucky death at the very start of the voyage home.

The undercurrent is in one word: the arrows are ἀγανοῖς, 'gentle.' Apollo's shafts are the Homeric image for a death that comes without disease or struggle, a man dropping suddenly at his post. The epithet is not irony but the poem's whole theology of dying well — and it plants, at the threshold of the nostos, the reminder that even a favored return is bought with losses.

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