The Siren Vase — Odysseus bound to the mast; Attic red-figure, c. 480 BC, British Museum
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Odyssey 4.184 · Book 4, lines 184–186

All of them weep

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κλαῖε μὲν Ἀργείη Ἑλένη, Διὸς ἐκγεγαυῖα, κλαῖε δὲ Τηλέμαχός τε καὶ Ἀτρεΐδης Μενέλαος, οὐδʼ ἄρα Νέστορος υἱὸς ἀδακρύτω ἔχεν ὄσσε·

Argive Helen wept, born of Zeus; and Telemachus wept, and Atreus's son Menelaus, nor did Nestor's son keep his eyes tearless.

Word by word

κλαῖεklaîeweptμὲνmèn(indeed)ἈργείηArgeíēArgiveἙλένηHelénēHelen,ΔιὸςDiòsof Zeusἐκγεγαυῖαekgegauîaborn,κλαῖεklaîeweptδὲ(and)ΤηλέμαχόςTēlémachósTelemachusτεte(both)καὶkaìandἈτρεΐδηςAtreḯdēsAtreus's sonΜενέλαοςMenélaosMenelaus,οὐδʼoud’norἄραára(then)ΝέστοροςNéstorosNestor'sυἱὸςhyiòssonἀδακρύτωadakrýtōtearlessἔχενéchenheldὄσσεósse[his] eyes·

The setting

The desire for grief that Menelaus stirred now moves through the room, one mourner at a time: Helen, then Telemachus and Menelaus, and finally young Peisistratus, Nestor's son, whose tears have a private cause.

A note on this passage

The lament is distributed like a roll call. Helen weeps first, marked at once as Argive and as daughter of Zeus — the woman the war was fought over, mourning the men it killed. Telemachus and Menelaus follow, the guest and his host bound in shared loss. The line-by-line handoff makes grief feel communal, something that passes from person to person around a table.

The hinge is the last mourner, held back by a double negative: Nestor's son did not keep his eyes tearless. He is the youngest present and the one with no direct memory of Odysseus, so the poem pauses to explain his tears separately in the next lines. The litotes — ‘not tearless’ rather than ‘weeping’ — quietly sets him apart from the open grief of the rest.

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