The Siren Vase — Odysseus bound to the mast; Attic red-figure, c. 480 BC, British Museum
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Odyssey 4.370 · Book 4, lines 370–374

'Foolish stranger — do you enjoy your pain?'

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ἡ δέ μευ ἄγχι στᾶσα ἔπος φάτο φώνησέν τε·
Eidothea — νήπιός εἰς, ὦ ξεῖνε, λίην τόσον ἠδὲ χαλίφρων, ἦε ἑκὼν μεθίεις καὶ τέρπεαι ἄλγεα πάσχων; ὡς δὴ δήθʼ ἐνὶ νήσῳ ἐρύκεαι, οὐδέ τι τέκμωρ εὑρέμεναι δύνασαι, μινύθει δέ τοι ἦτορ ἑταίρων.

She, standing near me, spoke a word and called out: You are foolish, stranger, far too much so, and slack of wit — or do you willingly give up and take delight in suffering pains? So long you are penned on the island, and can find no way out, and the heart of your companions dwindles.

Word by word

sheδέ(and)μευmeumeἄγχιánchinearστᾶσαstâsastandingἔποςéposa wordφάτοphátospokeφώνησένphṓnēséncalled outτεte(and)·
Eidothea
νήπιόςnḗpiósfoolishεἰςeisyou are,ôOξεῖνεxeînestranger,λίηνlíēnfar tooτόσονtósonmuch soἠδὲēdèandχαλίφρωνchalíphrōnslack of wit,ἦεêeorἑκὼνhekṑnwillinglyμεθίειςmethíeisgive upκαὶkaìandτέρπεαιtérpeaitake delightἄλγεαálgeain painsπάσχωνpáschōnsuffering;ὡςhōshowδὴdḕindeedδήθʼdḗth’so longἐνὶenìonνήσῳnḗsōithe islandἐρύκεαιerýkeaiyou are penned,οὐδέoudénorτιtianyτέκμωρtékmōrway outεὑρέμεναιheurémenaito findδύνασαιdýnasaiare you able,μινύθειminýtheidwindlesδέ(and)τοιtoi(for you)ἦτορêtorthe heartἑταίρωνhetaírōnof your comrades.

The setting

The sea-goddess Eidothea steps up to the stranded Menelaus and rebukes him: he seems to be doing nothing to escape, as if he relished his suffering while his men waste away.

A note on this passage

The goddess's opening is pure scolding. She calls Menelaus a child (νήπιος) and slack-witted, then sharpens it into a taunt: does he actually enjoy his own misery, since he does nothing to end it? It is the tone a brisk helper takes with someone paralyzed by a problem she can already see the answer to.

The barb lands because it is half true. Menelaus is stuck not for lack of courage but for lack of knowledge — he has no idea what to do — and the goddess reframes that helplessness as a kind of willed passivity. Her closing line turns the screw: while he dithers, his comrades' spirit is quietly draining away. The rebuke is also a recruitment; having shamed him, she is about to tell him exactly how to break free.

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