
The hero, marooned
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ἀλλʼ ὁ μὲν ἐν νήσῳ κεῖται κρατέρʼ ἄλγεα πάσχων νύμφης ἐν μεγάροισι Καλυψοῦς, ἥ μιν ἀνάγκῃ ἴσχει· ὁ δʼ οὐ δύναται ἣν πατρίδα γαῖαν ἱκέσθαι· οὐ γάρ οἱ πάρα νῆες ἐπήρετμοι καὶ ἑταῖροι, οἵ κέν μιν πέμποιεν ἐπʼ εὐρέα νῶτα θαλάσσης.
But he lies on an island, suffering strong pains, in the halls of the nymph Calypso, who holds him by force; and he cannot reach his native land; for he has at hand no oared ships and no companions, who might send him over the broad back of the sea.
Athena turns from principle to the particular grievance. Odysseus is stranded on Ogygia, held by the nymph Calypso, with no ship and no crew — cut off from any means of return.
Now the plea narrows to one marooned man. Odysseus lies on Calypso's island in real pain, kept there against his will, with no ship and no companions to carry him home. The general complaint about forgotten kings becomes a single stranded body.
This is effectively the reader's first sight of the poem's hero, and it is of him lying still and suffering — κρατέρʼ ἄλγεα πάσχων, 'suffering strong pains' — not of him conquering anything. And the phrase ἀνάγκῃ ἴσχει, 'holds by force,' quietly turns the paradise island into a prison: Calypso's love is captivity, and the man at the center of the epic is introduced at his lowest point, weeping on a beach he cannot leave.
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