The Siren Vase — Odysseus bound to the mast; Attic red-figure, c. 480 BC, British Museum
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Odyssey 5.192 · Book 5, lines 192–194

Back to the hollow cave

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ὣς ἄρα φωνήσασʼ ἡγήσατο δῖα θεάων καρπαλίμως· ὁ δʼ ἔπειτα μετʼ ἴχνια βαῖνε θεοῖο. ἷξον δὲ σπεῖος γλαφυρὸν θεὸς ἠδὲ καὶ ἀνήρ,

So speaking, the divine among goddesses led the way swiftly; and he then walked in the footsteps of the goddess. They reached the hollow cave, the goddess and the man.

Word by word

ὣςhṑssoἄραára(then)φωνήσασʼphōnḗsas’having spokenἡγήσατοhēgḗsatoled the wayδῖαdîathe divineθεάωνtheáōnamong goddessesκαρπαλίμωςkarpalímōsswiftly·hoheδʼd’(and)ἔπειταépeitathenμετʼmet’afterἴχνιαíchniathe footstepsβαῖνεbaînewalkedθεοῖοtheoîoof the goddess.ἷξονhîxonthey reachedδὲ(and)σπεῖοςspeîosthe caveγλαφυρὸνglaphyrònhollowθεὸςtheòsthe goddessἠδὲēdèandκαὶkaìalsoἀνήρanḗrthe man,

The setting

The oath given, the scene turns. In a familiar epic movement — goddess leading, mortal following in her tracks — the two return together to Calypso's cave.

A note on this passage

A quiet transition, built from formula: the goddess leads, the man walks in her footsteps, and they come to the hollow cave. Homer moves them from beach to hearth in three lines, without incident.

The undercurrent sits in the last phrase, ‘the goddess and the man.’ The pairing frames them one more time as a household — θεός beside ἀνήρ — even as the leaving has begun. The bright epithet ‘divine among goddesses’ set flat against the bare ‘man’ marks the gulf she is crossing for him: she is deathless, he is not, and that difference is the whole matter the coming meal and speech will press.

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