The Siren Vase — Odysseus bound to the mast; Attic red-figure, c. 480 BC, British Museum
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Odyssey 5.61 · Book 5, lines 61–62

Calypso singing at the loom

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δαιομένων· ἡ δʼ ἔνδον ἀοιδιάουσʼ ὀπὶ καλῇ ἱστὸν ἐποιχομένη χρυσείῃ κερκίδʼ ὕφαινεν.

— burning; and within, singing with a lovely voice, she plied the loom and with a golden shuttle wove.

Word by word

δαιομένωνdaioménōn[as they] burned·sheδʼd’(and)ἔνδονéndonwithinἀοιδιάουσʼaoidiáous’singingὀπὶopìin a voiceκαλῇkalêilovelyἱστὸνhistònthe loomἐποιχομένηepoichoménēplyingχρυσείῃchryseíēiwith a goldenκερκίδʼkerkíd’shuttleὕφαινενhýphainenshe wove.

The setting

Hermes has flown to Ogygia, Calypso's island. On the far side of the sea he reaches her cave; the cedar and juniper burning on the hearth send their fragrance across the isle. This is our first look inside.

A note on this passage

The camera moves indoors. The fragrant fire is still burning as we cross the threshold, and there is the goddess: not scheming, not grieving, but at her loom, weaving and singing to herself in a beautiful voice. It is a picture of contented, self-sufficient domesticity — a woman alone, at her work, happy.

Homer gives Calypso the two arts most bound up with the poem itself: song and weaving. She sings as the bard sings; she weaves as the plot is ‘woven.’ Before she has spoken a word we are told what she is — a maker of beautiful, enclosing things — and that is exactly what her island is to Odysseus: a lovely web he cannot leave.

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