The Siren Vase — Odysseus bound to the mast; Attic red-figure, c. 480 BC, British Museum
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Odyssey 6.127 · Book 6, lines 127–129

He breaks a branch and creeps out

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ὣς εἰπὼν θάμνων ὑπεδύσετο δῖος Ὀδυσσεύς, ἐκ πυκινῆς δʼ ὕλης πτόρθον κλάσε χειρὶ παχείῃ φύλλων, ὡς ῥύσαιτο περὶ χροῒ μήδεα φωτός.

So speaking, noble Odysseus crept out from the bushes, and with his stout hand he broke a leafy branch from the thick wood, so as to shield about his body a man's nakedness.

Word by word

ὣςhòssoεἰπὼνeipṑnspeakingθάμνωνthámnōnfrom the bushesὑπεδύσετοhypedýsetocrept outδῖοςdîosnobleὈδυσσεύςOdysseúsOdysseus,ἐκekfromπυκινῆςpykinêsthe thickδʼd’(and)ὕληςhýlēswoodπτόρθονptórthona branchκλάσεklásehe broke offχειρὶcheirìwith his handπαχείῃpacheíēistoutφύλλωνphýllōnof leaves,ὡςhōsso as toῥύσαιτοrhýsaitocoverπερὶperìaboutχροῒchroïhis bodyμήδεαmḗdeahis manhoodφωτόςphōtósof a man.

The setting

His debate over, Odysseus acts. Naked from the wreck, he emerges from cover — but first arms himself against shame with the only thing to hand, a leafy bough.

A note on this passage

The narrative takes over from the monologue. Odysseus leaves the thicket, and Homer records the practical, human detail: with one thick hand he snaps off a leaf-covered branch to hold in front of him. The hero of a thousand devices meets his most basic problem — he has no clothes — and solves it on the spot.

The small gesture carries the register of the whole scene. This is not the sacker of Troy but a bare, salt-stiff castaway managing his own indecency before a group of young women. The branch is a fig-leaf, and the poem knows it: the greatness will have to be rebuilt from nothing, starting with a stick and a plea. Dignity here is improvised.

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