The Siren Vase — Odysseus bound to the mast; Attic red-figure, c. 480 BC, British Museum
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Odyssey 6.175 · Book 6, lines 175–177

Queen, pity me — you I reached first

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ἀλλά, ἄνασσʼ, ἐλέαιρε· σὲ γὰρ κακὰ πολλὰ μογήσας ἐς πρώτην ἱκόμην, τῶν δʼ ἄλλων οὔ τινα οἶδα ἀνθρώπων, οἳ τήνδε πόλιν καὶ γαῖαν ἔχουσιν.

But, queen, have pity; for it is to you that I, after suffering many evils, have come first, and of the others I know not one of the men who hold this city and this land.

Word by word

ἀλλάallábut,ἄνασσʼánass’queen,ἐλέαιρεeléairehave pity·σὲit is to youγὰρgàrforκακὰkakàevilsπολλὰpollàmanyμογήσαςmogḗsasafter sufferingἐςesthat [to]πρώτηνprṓtēnyou firstἱκόμηνhikómēnI have come,τῶνtônof theδʼd’(and)ἄλλωνállōnothersοὔnotτιναtinaoneοἶδαoîdado I knowἀνθρώπωνanthrṓpōnof the men,οἳhoìwhoτήνδεtḗndethisπόλινpólincityκαὶkaìandγαῖανgaîanlandἔχουσινéchousinpossess.

The setting

The plea reaches its core request. Odysseus calls Nausicaa 'queen,' asks outright for pity, and presses the one claim a castaway has: she is the very first person he has met, and he knows no one else in this whole land.

A note on this passage

The whole speech has been building to this plain imperative: have pity. He lifts her with the address 'queen' and then lays out his single, unanswerable claim — she is the first human being he has reached, and he has no one else. In a world run on guest-friendship, being first makes her responsible.

The argument is shrewd because it hands her the initiative and the honor at once. He does not demand; he points out that chance, or a god, has made her his one door into this land. To refuse would be to fail the stranger the gods sent her — and Nausicaa, who has already stood her ground while her maids fled, is exactly the person to feel the weight of that.

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