
The imagined sneer in the street
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καί νύ τις ὧδʼ εἴπῃσι κακώτερος ἀντιβολήσας· τίς δʼ ὅδε Ναυσικάᾳ ἕπεται καλός τε μέγας τε ξεῖνος; ποῦ δέ μιν εὗρε; πόσις νύ οἱ ἔσσεται αὐτῇ.
And some baser man, meeting us, would say thus: 'Who is this handsome, tall stranger following Nausicaa? Where did she find him? Surely he will be a husband for her.'
Nausicaa acts out the very gossip she fears: she quotes, word for word, the churl she imagines meeting them at the edge of town. It is her own invented voice for the crowd's malice.
Nausicaa ventriloquizes her enemy. She stages an imaginary passerby — 'some baser man' — and gives him a full line of leering questions: who is he, where did she get him, is she marrying an outsider. The comedy is exact; anyone who has been young in a small town knows this voice.
Underneath the wit is a real social fact. A princess seen walking with an unknown handsome man is instantly a story, and the story is about marriage, because that is the only frame the town has for such a pairing. Nausicaa half-blushes into the joke: the fantasy husband she puts in the gossip's mouth is not one she would entirely disown.
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