The Siren Vase — Odysseus bound to the mast; Attic red-figure, c. 480 BC, British Museum
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Odyssey 6.282 · Book 6, lines 282–284

'She scorns her own suitors'

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βέλτερον, εἰ καὐτή περ ἐποιχομένη πόσιν εὗρεν ἄλλοθεν· ἦ γὰρ τούσδε γʼ ἀτιμάζει κατὰ δῆμον Φαίηκας, τοί μιν μνῶνται πολέες τε καὶ ἐσθλοί.

Better, if she herself had gone out and found a husband elsewhere; for truly she slights these men here in the district, the Phaeacians who woo her, many and noble.

Word by word

βέλτερονbélteron[it were] better,εἰeiifκαὐτήkautḗeven she herselfπερper(even)ἐποιχομένηepoichoménēgoing outπόσινpósina husbandεὗρενheûrenfoundἄλλοθενállothenfrom elsewhere·êtrulyγὰρgàr(for)τούσδεtoúsdethese [men]γʼg’(at least)ἀτιμάζειatimázeishe slightsκατὰkatàthroughoutδῆμονdêmonthe districtΦαίηκαςPhaíēkasthe Phaeacians,τοίtoíwhoμινminherμνῶνταιmnôntaiwooπολέεςpoléesmanyτεte(both)καὶkaìandἐσθλοίesthloínoble.

The setting

The gossip reaches its sting: the imagined townsman concludes that Nausicaa must be rejecting her local Phaeacian suitors — many of them, and highborn — in favor of a stranger from outside.

A note on this passage

The imagined verdict lands as an insult to the whole town: better she had chosen a husband among her own, for clearly she looks down on the Phaeacian suitors, though they are many and of good birth. The complaint is communal pride — a princess owes her marriage to the men of her own people.

Nausicaa, of course, has invented all of it. She is arguing with a crowd that has said nothing, rehearsing the charge of scorn before anyone can make it. The passage quietly shows how marriage in this world is not a private choice but a public account owed to the community — and how sharply a clever girl already feels that weight.

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