The Siren Vase — Odysseus bound to the mast; Attic red-figure, c. 480 BC, British Museum
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Odyssey 8.361 · Book 8, lines 361–366

The lovers set free

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αὐτίκʼ ἀναΐξαντε ὁ μὲν Θρῄκηνδε βεβήκει, ἡ δʼ ἄρα Κύπρον ἵκανε φιλομμειδὴς Ἀφροδίτη, ἐς Πάφον· ἔνθα δέ οἱ τέμενος βωμός τε θυήεις. ἔνθα δέ μιν Χάριτες λοῦσαν καὶ χρῖσαν ἐλαίῳ ἀμβρότῳ, οἷα θεοὺς ἐπενήνοθεν αἰὲν ἐόντας, ἀμφὶ δὲ εἵματα ἕσσαν ἐπήρατα, θαῦμα ἰδέσθαι.

At once the two sprang apart — the one had gone to Thrace, and she, laughter-loving Aphrodite, came to Cyprus, to Paphos, where her precinct is and her fragrant altar. There the Graces bathed her and anointed her with ambrosial oil, such as gleams upon the ever-living gods, and clothed her in lovely garments, a wonder to behold.

Word by word

αὐτίκʼautík’at onceἀναΐξαντεanaḯxantespringing aparthothe oneμὲνmèn(on one side)ΘρῄκηνδεThrḗikēndeto Thraceβεβήκειbebḗkeihad gone,sheδʼd’(and)ἄραára(then)ΚύπρονKýpronto Cyprusἵκανεhíkanecameφιλομμειδὴςphilommeidḗslaughter-lovingἈφροδίτηAphrodítēAphrodite,ἐςestoΠάφονPáphonPaphos·ἔνθαénthawhereδέ(and)οἱhoifor herτέμενοςtémenosa precinctβωμόςbōmósand an altarτεte(and)θυήειςthyḗeisfragrant with incense.ἔνθαénthathereδέ(and)μινminherΧάριτεςCháritesthe Gracesλοῦσανloûsanbathedκαὶkaìandχρῖσανchrîsananointed [her]ἐλαίῳelaíōiwith oilἀμβρότῳambrótōiambrosial,οἷαhoîasuch asθεοὺςtheoùs[on] the godsἐπενήνοθενepenḗnothengleams uponαἰὲνaièneverἐόνταςeóntasliving,ἀμφὶamphìaround [her]δὲ(and)εἵματαheímatagarmentsἕσσανhéssanthey put onἐπήραταepḗratalovely,θαῦμαthaûmaa wonderἰδέσθαιidésthaito behold.

The setting

The close of Demodocus's song of Ares and Aphrodite. Hephaestus has loosed the invisible net, and the two exposed lovers spring apart and flee — Ares north to Thrace, Aphrodite to her sanctuary on Cyprus, where the Graces tend her.

A note on this passage

The song's close. Freed from the invisible net, the two lovers do not linger: Ares bolts north to warlike Thrace, Aphrodite south to Cyprus, to her own sanctuary at Paphos. There the Graces wash her, oil her, and dress her afresh.

The comedy ends in pure grace. Homer spends his last lines not on the humiliation but on Aphrodite restored — bathed in the oil that makes gods gleam, clothed 'a wonder to behold.' The goddess of desire cannot be shamed for long: the net catches her, and the poem lets her walk out of it lovelier than before. It is a lightness set deliberately against the tears Odysseus will soon weep.

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