
Alcinous halts the song
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Alcinous — ὁ ξεῖνος· μάλα πού μιν ἄχος φρένας ἀμφιβέβηκεν. ἀλλʼ ἄγʼ ὁ μὲν σχεθέτω, ἵνʼ ὁμῶς τερπώμεθα πάντες, ξεινοδόκοι καὶ ξεῖνος, ἐπεὶ πολὺ κάλλιον οὕτως·
the stranger; surely, I think, grief has wrapped his heart. But come, let him cease, so that we all may take joy alike, hosts and guest, since so it is far better.
Alcinous alone has seen the stranger weep at Demodocus's song of Troy. Still not knowing who his guest is, the king interrupts the bard so the whole hall — hosts and guest together — can share the pleasure of the feast.
Alcinous does the courteous thing: he stops the song rather than let a guest weep on. He frames it as everyone's pleasure, not the stranger's pain — so that we may all take joy alike. This is tact, not interrogation, and it comes before any question about who the man is.
The king has noticed what no one else in the hall has, and he keeps the noticing quiet. He calls the song off for the room's sake, sparing the guest the shame of being watched as he cries. The whole machinery of xenia turns on this delicacy: a host who protects a stranger's face before the stranger even has a name.
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