The Siren Vase — Odysseus bound to the mast; Attic red-figure, c. 480 BC, British Museum
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Odyssey 9.444 · Book 9, lines 444–446

Last through the door

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ὕστατος ἀρνειὸς μήλων ἔστειχε θύραζε λάχνῳ στεινόμενος καὶ ἐμοὶ πυκινὰ φρονέοντι. τὸν δʼ ἐπιμασσάμενος προσέφη κρατερὸς Πολύφημος·

Last of the flock the ram went out to the door, weighed down with wool and with me, thinking my shrewd thoughts. And feeling him over, mighty Polyphemus spoke to him:

Word by word

ὕστατοςhýstatosLastἀρνειὸςarneiòsthe ramμήλωνmḗlōnof the flockἔστειχεésteichewent outθύραζεthýrazeto the doorλάχνῳláchnōiwith woolστεινόμενοςsteinómenosweighed downκαὶkaìandἐμοὶemoìwith meπυκινὰpykinàshrewdφρονέοντιphronéontithinking.τὸνtònhimδʼd’(and)ἐπιμασσάμενοςepimassámenosfeeling overπροσέφηproséphēspoke toκρατερὸςkrateròsmightyΠολύφημοςPolýphēmosPolyphemus·

The setting

The great ram comes to the mouth of the cave last of all, slowed by its own fleece and by Odysseus clinging beneath. Polyphemus, sitting at the entrance, runs his hands over it and, sensing it, begins to speak to the animal.

A note on this passage

The tension narrows to one animal at the threshold. The ram is last and slow — heavy with wool and with the man underneath 'thinking shrewd thoughts.' Polyphemus stops it with his hands, and instead of passing it through, he starts to talk to it.

The undercurrent is dramatic irony wound as tight as the poem ever winds it. The reader knows Odysseus is inches under those groping hands; the giant knows only that his favourite is lagging. That the monster pauses to address the ram tenderly — the very ram carrying his enemy out the door — sets up the cruel joke of the speech to come, where every affectionate word lands on the man he is trying to kill.

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