Phaedrus 242b · 242b

The Sign at the Ford

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Socrates — ἡνίκʼ ἔμελλον, τὸν ποταμὸν διαβαίνειν, τὸ δαιμόνιόν τε καὶ τὸ εἰωθὸς σημεῖόν μοι γίγνεσθαι ἐγένετο… καί τινα φωνὴν ἔδοξα αὐτόθεν ἀκοῦσαι, ἥ με οὐκ ἐᾷ ἀπιέναι πρὶν ἂν ἀφοσιώσωμαι, ὡς δή τι ἡμαρτηκότα εἰς τὸ θεῖον… μαντικόν γέ τι καὶ ἡ ψυχή

Just as I was about to cross the river, the daimonion — the sign that has visited me all my life — came, and I seemed to hear a voice from this very spot forbidding me to leave until I had purified myself: I have offended, it seems, against the divine. … The soul itself, my friend, is something prophetic: mine was troubled all through that speech.

Word by word

Socrates
ἡνίκʼhēník'just asἔμελλονémellonI was about,τὸνtòntheποταμὸνpotamònriverδιαβαίνεινdiabaíneincross,τὸtheδαιμόνιόνdaimónióndaimonionτεteand (intimate linking)καὶkaìand / alsoτὸtheεἰωθὸςeiōthòscustomaryσημεῖόνsēmeîónsign / mark / signalμοιmoito meγίγνεσθαιgígnesthaito comeἐγένετοegénetocameκαίkaíand / alsoτιναtinaa certainφωνὴνphōnḕnvoice / sound / utteranceἔδοξαédoxaseemedαὐτόθενautóthenfrom this very spotἀκοῦσαιakoûsaito hear / to listen / to learn by ear,hḗwhichμεmemeοὐκouknotἐᾷeâiallowsἀπιέναιapiénaileaveπρὶνprìnuntilἂνànwould / might (potential)ἀφοσιώσωμαιaphosiṓsōmaiI make expiation,ὡςhōsas / how / that / so thatδήdḗindeed / thenτιtisomehowἡμαρτηκόταhēmartēkótaoffendedεἰςeisinto / to / forτὸtheθεῖονtheîondivine / god-givenμαντικόνmantikónprophetic / manticγέat least / indeedτιtisomethingκαὶkaìand / alsotheψυχήpsychḗsoul / breath / life-principle

The setting

Speech finished, expiation refused, Socrates rises to leave — and is stopped mid-step at the river's edge by the strangest fact of his biography: the private divine voice that only ever says no.

A note on this passage

This is the most famous strangeness in Socrates's biography, arriving on cue: the <em>daimónion</em>, his private 'customary sign' (<em>tò eiōthòs sēmeîon</em>) — a voice with no visible speaker that has interrupted him since childhood (<em>Apology</em> 31d) and only ever says <em>no</em>. It never commands; it vetoes. Here it strikes at a threshold, as he steps into the ford — and demands not a retraction but an <em>expiation</em> (<em>aphosiṓsōmai</em>, the vocabulary of ritual purification): the anti-love speech was not bad rhetoric but an offense 'against the divine,' a <em>hamártēma</em> — an arrow shot wide (the archer's word English later flattened into 'sin').<br><br>Then Socrates generalizes, and the sentence carries the palinode in embryo: 'the soul too is something <em>mantikón</em>' — prophetic. His ψυχή had been uneasy through the whole performance; the knowing arrived before the reasons did. Two pages later (244c) he will make the buried pun explicit: <em>mantikḗ</em>, the prophet's art, is <em>manikḗ</em> — the madness-art — and the linguists side with him: seer, madness, memory, and <em>mind</em> all grow from the same root, *men-. The dialogue's central claim is hiding inside Greek itself, and the daimonion at the ford is its proof by demonstration: the best thing this most rational of men ever had was a voice he could not explain.

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