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The spell

Caspar David Friedrich, Moonrise by the Sea, 1822 · Alte Nationalgalerie, Berlin · public domain
2.1
The Sorceress 2.1 · Where are the bay leaves?2.1Where are the bay leaves?
Lines 1–16. Night. Simaetha calls for her love charms and begins a spell to bring back the man who has left her.
· · ·
πᾷ1
pâi
Wherewhich way
 
are
μοι2
moi
myfor me
ταὶ3
taì
—
δάφναι4
dáphnai
bay leaveslaurel
?
φέρε5
phére
Bringcarry
 
them
Θεστυλί6
Thestylí
Thestylis
.
δὲ7
dè
And
πᾷ8
pâi
where
 
are
τὰ9
tà
the
φίλτρα10
phíltra
love charmslove potions
?
στέψον11
stépson
Wreathecrown
τὰν12
tàn
the
κελέβαν13
keléban
bowlcup
φοινικέῳ14
phoinikéōi
with crimsonpurple-red
ἀώτῳ15
aṓtōi
woolfinest fleece
οἰὸς16
oiòs
of a sheepsheep's
,
ὡς17
hōs
since
καταθύσομαι18
katathýsomai
I will spellbindI will sacrifice
τὸν19
tòn
—
ἐμὸν20
emòn
my
φίλον21
phílon
dear
ἄνδρα22
ándra
man
,
εὖντα23
eûnta
though he isbeing
βαρὺν24
barỳn
cruelheavy
 
to me
,
ὅς25
hós
who
τάλας26
tálas
the wretchwretched
,
δωδεκαταῖος27
dōdekataîos
for twelve dayson the twelfth day
ἀφʼ28
aph’
since
ὧ29
hô
thenwhich
οὐδέποθʼ30
oudépoth’
not oncenever
ἵκει31
híkei
has comecomes
μοι32
moi
to me
,
οὐδʼ33
oud’
nor
ἔγνω34
égnō
does he knowknew
πότερον35
póteron
whether
τεθνάκαμες36
tethnákames
I am deadwe have died
ἢ37
ḕ
or
εἰμές38
eimés
I amwe are
ζοοὶ39
zooì
aliveliving
.
οὐδὲ40
oudè
Nor
ἄραξεν41
áraxen
has he knockedstruck
θύρας42
thýras
at the doordoors
ἀνάρσιος43
anársios
the brutehostile
.
ἦ44
ê
Surely
ῥά45
rhá
then
ὅ46
hó
—
τʼ47
t’
both
Ἔρως48
Érōs
Eros
ἅ49
há
—
τʼ50
t’
and
Ἀφροδίτα51
Aphrodíta
Aphrodite
ᾤχετʼ52
ṓichet’
have gone offwent away
ἀλλᾷ53
allâi
elsewhere
ἔχων54
échōn
takinghaving
οἱ55
hoi
his
ταχινὰς56
tachinàs
fickleswift
φρένας57
phrénas
heartmind
.
αὔριον58
aúrion
Tomorrow
βασεῦμαι59
baseûmai
I will goI will walk
ποτὶ60
potì
to
τὰν61
tàn
the
παλαίστραν62
palaístran
wrestling school
Τιμαγήτοιο63
Timagḗtoio
of Timagetus
ὥς64
hṓs
so that
ἴδω65
ídō
I may see
νιν66
nin
him
,
καὶ67
kaì
and
μέμψομαι68
mémpsomai
I will reproachI will blame
 
him
οἷά69
hoîá
for whatsuch things as
ποιεῖ70
poieî
he does to
με71
me
me
.
δέ72
dé
But
νῦν73
nŷn
now
καταθύσομαι74
katathýsomai
I will spellbindI will sacrifice
νιν75
nin
him
ἐκ76
ek
without of
θυέων77
thyéōn
burnt offerings
.
ἀλλὰ78
allà
Come
Σελάνα79
Selána
Moon
,
φαῖνε80
phaîne
shineshow
καλόν81
kalón
brightlyfair
;
γὰρ82
gàr
for
τὶν83
tìn
to you
δαῖμον84
daîmon
goddessdivine power
,
ποταείσομαι85
potaeísomai
I will chantI will sing to
ἅσυχα86
hásycha
softlyquietly
,
θʼ87
th’
and
τᾷ88
tâi
to
Ἑκάτᾳ89
Hekátai
Hecate
χθονίᾳ90
chthoníai
of the underworldof the earth
,
τὰν91
tàn
whom
καὶ92
kaì
even
σκύλακες93
skýlakes
the dogspuppies
τρομέοντι94
troméonti
tremble atfear
ἐρχομέναν95
erchoménan
as she goescoming
ἀνά96
aná
amongup through
τʼ97
t’
both
ἠρία98
ēría
the gravestombs
νεκύων99
nekýōn
of the deadcorpses
καὶ100
kaì
and
μέλαν101
mélan
the darkblack
αἷμα102
haîma
blood
.
χαῖρʼ103
chaîr’
Hailrejoice
δασπλῆτι104
dasplêti
dreadterrible
Ἑκάτα105
Hekáta
Hecate
,
καὶ106
kaì
and
ὀπάδει107
opádei
stand byattend
ἄμμιν108
ámmin
meus
ἐς109
es
to
τέλος110
télos
the end
,
ἔρδοισα111
érdoisa
makingworking
ταῦτʼ112
taût’
these
φάρμακα113
phármaka
drugsspells
μήτέ114
mḗté
no
χερείονα115
chereíona
weakerworse
τι116
ti
at allin any way
Κίρκης117
Kírkēs
than Circe's
,
μήτέ118
mḗté
nor
τι119
ti
at allin any way
Μηδείας120
Mēdeías
than Medea's
,
μήτε121
mḗte
nor
ξανθᾶς122
xanthâs
golden-hairedfair
Περιμήδας123
Perimḗdas
Perimede's
.
Where are my bay leaves? Bring them, Thestylis. And where are the love charms? Wreathe the bowl with a sheep's crimson wool, since I will spellbind the man I love, though he is cruel to me, who, the wretch, for twelve days now has not once come to me, nor does he know whether I am dead or alive. Nor has he knocked at my door, the brute. Surely Eros and Aphrodite have gone off elsewhere taking his fickle heart. Tomorrow I will go to Timagetus' wrestling school to see him, and I will reproach him for what he does to me. But now I will spellbind him with burnt offerings. Come, Moon, shine brightly; for to you, goddess, I will chant softly, and to Hecate of the underworld, whom even the dogs tremble at as she goes among the graves of the dead and the dark blood. Hail, dread Hecate, and stand by me to the end, making these drugs no weaker than Circe's, nor Medea's, nor golden-haired Perimede's.

Where are my bay leaves? Bring them, Thestylis. And where are the love charms? Wreathe the bowl with a sheep's crimson wool, since I will spellbind the man I love, though he is cruel to me, who, the wretch, for twelve days now has not once come to me, nor does he know whether I am dead or alive. Nor has he knocked at my door, the brute. Surely Eros and Aphrodite have gone off elsewhere taking his fickle heart. Tomorrow I will go to Timagetus' wrestling school to see him, and I will reproach him for what he does to me. But now I will spellbind him with burnt offerings. Come, Moon, shine brightly; for to you, goddess, I will chant softly, and to Hecate of the underworld, whom even the dogs tremble at as she goes among the graves of the dead and the dark blood. Hail, dread Hecate, and stand by me to the end, making these drugs no weaker than Circe's, nor Medea's, nor golden-haired Perimede's.
Interpretation
Where are my bay leaves? Bring them, Thestylis. And where are the love charms? Wreathe the bowl with fine crimson wool, for I mean to bind with fire magic the man I love, cruel as he is. For twelve days the wretch has not come near me; he does not even know whether I am dead or alive, and he has not once knocked at my door. Surely Eros and Aphrodite have carried his fickle heart off somewhere else. Tomorrow I will go to Timagetus' wrestling school to see him and tell him what he is doing to me. But now I will bind him with burnt offerings. Shine bright, Moon: to you I will chant softly, goddess, and to Hecate below, whom even the dogs tremble at when she walks among the graves and the dark blood of the dead. Hail, dread Hecate, stand by me to the end, and make these drugs as strong as Circe's or Medea's or golden-haired Perimede's.
A young woman, Simaetha, has been left by her lover Delphis for twelve days. At night she calls her slave girl Thestylis to bring the bay leaves and the love charms. Theocritus wrote the poem in the third century BC; its Greek title, Φαρμακεύτριαι, means "the women at their drugs," Simaetha and Thestylis. Everything here is the equipment of a real rite. Cholmeley, whose 1901 edition this is, notes that crimson belonged to magic, and that the bowl is the cauldron for the brew. She sings to the Moon and to Hecate, the goddess of crossroads and graves, and names the great drug-women of story as the standard to meet: Circe, Medea and Perimede. Cholmeley takes Perimede to be the Agamede of the Iliad, "who knew all the drugs the wide earth grows" (11.740–741). By Theocritus' day Medea is simply the measure of magic, about two centuries after Pindar and Euripides.
2.17
The Sorceress 2.17 · Barley on the fire2.17Barley on the fire
Lines 17–21. The refrain begins, and with it the rite: barley meal thrown on the fire.
· · ·

Magic wheel, draw that man to my house. Look, the barley meal burns first in the fire. Come, sprinkle it on, Thestylis. Wretched girl, where have your wits flown off to? Have I become, loathsome thing that I am, a laughingstock even to you? Sprinkle it, and as you do, say this: I sprinkle the bones of Delphis.
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