CAMILO

Amor de Perdição 1.2 · 1.2

Extremely ugly

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Dez annos de enamorado mal succedido consumira em Lisboa o bacharel provinciano. Para se fazer amar da formosa dama de D. Maria I minguavam-lhe dotes physicos: Domingos Botelho era extremamente feio. Para se inculcar como partido conveniente a uma filha segunda, faltavam-lhe bens de fortuna: os haveres d’elle não excediam a trinta mil cruzados em propriedades no Douro.

Ten years as an unlucky lover the provincial graduate had spent in Lisbon. To make himself loved by the beautiful lady-in-waiting of D. Maria I, he lacked physical gifts: Domingos Botelho was extremely ugly. To put himself forward as a suitable match for a second daughter, he lacked goods of fortune: his holdings did not exceed thirty thousand cruzados in estates on the Douro.

Word by word

DezdeshTenannosA-nushyearsdedeasenamoradoe-na-mu-RA-dua suitor in lovemalmalbadlysuccedidosuk-se-DEE-dufortunedconsumirakon-su-MEE-rahad spentemãyinLisboaouthebacharelba-sha-RELgraduateprovincianopru-vin-si-A-nuprovincial.ParaPA-raIn order tosesehimselffazerfa-ZERmakeamara-MARlovedadaby theformosafur-MO-zabeautifuldamaDA-maladydedeofD.MariaIminguavam-lhemin-GWA-vãu-lyehe lackeddotesDO-teshgiftsphysicosFEE-zi-kushphysical:DomingosBotelhoeraE-rawasextremamenteesh-tre-ma-MEN-teextremelyfeioFAY-uugly.ParaPA-raIn order tosesehimselfinculcarin-kul-KARput himself forwardcomoKO-muaspartidopar-TEE-dua matchconvenientekon-ve-ni-EN-tesuitableaaforumaU-maafilhaFEE-lyadaughtersegundase-GOON-dasecond,faltavam-lhefal-TA-vãu-lyehe lackedbensbãyshgoodsdedeoffortunafur-TOO-nafortune:osushthehaveresa-VE-reshholdingsd’elleDE-leof hisnãonãunotexcediamesh-se-DEE-ãuexceedaatotrintaTREEN-tathirtymilmeelthousandcruzadoskru-ZA-dushcruzados (coins)emãyinpropriedadespru-pri-e-DA-deshestatesnonuon theDouro.

The setting

Now Camilo strips the varnish. The father is introduced by everything he was NOT: after ten years of failed courtship in Lisbon, he lacked the three things a suitor needs — looks, money, and wit. This passage lands the first two, each with a courtly build-up and a flat little verdict.

A note on this passage

Camilo's comedy is architectural. Twice he raises a formal, courtly period — 'to make himself loved by the beautiful lady…', 'to put himself forward as a suitable match…' — and twice he drops it onto a colon and a blunt little fact: <em>era extremamente feio</em>; his money didn't top thirty thousand cruzados. The grand sentence and the small verdict: that gap is the joke, and it will become the book's whole method — high romantic feeling forever colliding with hard provincial fact. We are being taught, gently, that this is a world where love runs straight into looks, money, and rank, and usually loses.

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