Capitú!
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Pádua — — Capitú!
Capitú!
The father calls his daughter by name.
A single word, a father's call, and the scene tightens. Pádua has crossed from the doorway into the yard and now addresses his daughter directly — the summons of a parent who has seen something he wants explained. The exclamation is sharp but not yet angry; it is the sound of authority asserting itself over a child at a wall.
Machado stages the exchange as bare alternation: name, answer, command. There is no narration between the lines, only the clipped call-and-response of household life. In a novel where the narrator otherwise interprets everything, these unmediated cries let the reader stand where Bento stands — beside Capitú, waiting to see whether the man's tone will turn.
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