Then go to the seminary
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Capitú — — Então vá para o seminario.
Then go to the seminary.
Capitú closes the argument with a hard alternative.
Capitú answers his refusal not with more persuasion but with the bare consequence: 'Então vá para o seminario.' Reject the plan and you accept the tonsure, the vows, the loss of her. She lays the alternative down like a card, and its coldness is calculated — she knows the seminary is the one prospect that terrifies Bentinho more than his own shyness does.
The seminary hangs over these early chapters as the abyss the lovers are scheming to escape, the fulfillment of Dona Glória's promise to God. By naming it, Capitú converts abstract danger into a stark choice: act, or be lost to me. It is the same tactical pressure she has applied all along, now bared to its threat. The line works because it is true, and because she has judged, correctly, that fear of separation will move him where appeals to courage did not.
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