Dom Casmurro 21.47 · 21.47

praises of the church

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os elogios da egreja,

the praises of the church,

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osustheelogiose-LO-zhyuspraisesdadaof theegrejae-GRE-zhachurch,

The setting

His flattery of the priestly life.

A note on this passage

Justina itemizes the content of the speeches: 'os elogios da egreja,' José Dias's glowing tributes to the Church and the clerical life. She lists them as one might list a salesman's talking points, flattening praise into technique.

The irony she is building toward is that these devout-sounding encomiums come from a man of no real piety. Machado sets up the puncture two passages ahead, when Justina declares him as religious as a lamp. For now the 'elogios' hang there, apparently sincere, and part of the pleasure of the scene is watching a plain-spoken woman treat holy praise as mere sales patter. The Church, for José Dias, is not a faith but an instrument — a lever to move Dona Glória — and Justina hears the hollowness in every tribute.

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