In that year of grace, 1857
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Ora, pois, naquelle anno da graça de 1857,
Now then, in that year of grace of 1857,
The portrait of Dona Glória opens by fixing its year.
The chapter turns from the house to its mistress, and Machado dates the turn with an almost liturgical formula: 'naquelle anno da graça de 1857.' The phrase 'year of grace' is the old ecclesiastical way of counting time, Anno Domini, and it suits a woman whose whole life is bent toward God. It also quietly reminds us that Bento is looking back from decades away, reconstructing a fixed point in a lost world.
The fussy little 'Ora, pois' is the narrator clearing his throat, the storyteller settling in to describe someone he loves and cannot quite judge. Nothing has happened yet; he is only naming a year. But the care he takes with the frame tells us the portrait to come matters to him more than most, because this is the mother whose vow will decide everything.
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