A ESCRAVA ISAURA

A Escrava Isaura 10.41 · 10.41

A fantastic poem

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Por essa já eu esperava; entretanto o lance não deixa de ser dramatico; a historia de teos amores com a tal fada mysteriosa vae tomando visos de um poema phantastico.

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Porpurby / throughessaE-sathatjázhaalreadyeuewIesperavaish-pe-RA-vaexpected;entretantoẽ-tre-TAN-tuneverthelessouthelanceLAN-siepisodenãonãunotdeixaDAY-shais not withoutdediofserserbeingdramaticodra-MA-ti-kudramatic;aathehistoriaish-TO-ri-astorydediofteosTEW-ushyouramoresa-MO-rishlovecomkõforaathattaltalsuchfadaFA-dafairymysteriosamish-te-ri-O-zamysteriousvaevaiistomandoto-MAN-dutaking onvisosVEE-zushthe airsdediofumũapoemapo-E-mapoemphantasticofan-TASH-ti-kufantastic.

The setting

I expected as much; nevertheless the episode is not without its drama; the story of your love for that mysterious fairy is taking on the airs of a fantastic poem.

A note on this passage

Dr. Geraldo, the sceptic, keeps the self-conscious literary frame going: Álvaro's romance is 'tomando visos de um poema phantastico', taking on the look of a fantastic poem. The joke is that they are all inside exactly such a work, and the doctor's amused literary criticism is the novel winking at its own genre — the Romantic tale of the hidden maiden, the chance rescue, the fated love. But 'phantastico' carries an edge: a poem is invented, unreal, and Geraldo's word half-suggests he does not quite believe it. His scepticism, which will not let the fairy-tale be simply a fairy-tale, is precisely the instinct that keeps probing toward the truth beneath 'Elvira'. The men laugh at a poem; the reader waits for the moment the poem is revealed to be a case of law, a woman's life at stake.

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