A ESCRAVA ISAURA

A Escrava Isaura 10.60 · 10.60

A thousand pretexts

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Argumentos, instancias, supplicas, tudo foi perdido; pae e filha recusavão-se constantemente a aparecerem em publico, allegando mil diversos pretextos.

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Argumentosar-gu-MEN-tushArguments,instanciasĩsh-TAN-si-ashentreaties,supplicasSU-pli-kashsupplications,tudoTU-duallfoifoywereperdidoper-DEE-dulost;paepaifathereiandfilhaFEE-lyadaughterrecusavão-serre-ku-ZA-vãu-sirefusedconstantementekon-shtan-ti-MEN-ticonstantlyaatoaparecerema-pa-re-SE-rẽappearemẽinpublicoPU-bli-kupublic,allegandoa-le-GAN-duallegingmilmila thousanddiversosdi-VER-sushdifferentpretextospre-TESH-tushpretexts.

The setting

Arguments, entreaties, supplications, all were lost; father and daughter constantly refused to appear in public, alleging a thousand different pretexts.

A note on this passage

The steadfast refusal of both — 'pae e filha recusavão-se constantemente' — is the disguise holding firm under pressure. Every 'pretexto' Isaura and Miguel invent is a small act of self-preservation, the endless improvisation of people who must never be pinned down. Their unity is touching: father and daughter, of one mind, presenting a united front of excuses against a persistent, well-meaning suitor. But the passage also marks the exhaustion of ordinary defences. Álvaro's 'argumentos, instancias, supplicas' failed against their resolve — and so, as the next line reveals, he resorted to a lie. The fugitives could withstand persuasion; they could not withstand deception, because a lie attacked the one thing their whole strategy rested on, their fear of drawing notice.

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A Escrava Isaura 10.60 — The Great Library Project interlinear edition · greatlibraryproject.com/book/escravaisaura/10.60/