The good in him, snuffed out
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Alguns bons e generosos instinctos, de que o dotára a natureza, havião-se apagado em seo coração ao roçar de pessimas doutrinas confirmadas por exemplos ainda peores.
Some good and generous instincts, with which nature had endowed him, had been snuffed out in his heart at the brush of the vilest doctrines, confirmed by examples worse still.
Some good and generous instincts, with which nature had endowed him, had been snuffed out in his heart at the mere brush of the vilest doctrines, confirmed by examples worse still.
Guimarães is careful, and the care is the point: Leôncio was not born evil. 'Alguns bons e generosos instinctos, de que o dotára a natureza' — nature gave him some good and generous instincts — and they 'havião-se apagado', were snuffed out, at the mere 'roçar', the brush, of bad doctrine. Two things sit in that verb. First, the flame image, which makes Leôncio the exact anti-type of Isaura the 'alabaster lamp' whose inner fire shows through the stone: her light burns, his was put out. Second, the terrible lightness of 'roçar' — it took only a brush to extinguish him, because nothing had ever tended the flame. This is the book's quiet, radical claim: monsters are not born but raised, and the same society that starves Isaura into her suffering also blows out the good in the boy who will make her suffer. Two ruined children of one system, and the chapter has drawn them so we cannot look at the one without the other.
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