ALENCAR

O Guarani 1.21 · 1.21

A thing we shall call a garden

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No angulo que esta asa fazia com o resto da casa, havia uma cousa que chamaremos jardim, e que de facto era uma imitação graciosa de toda essa natureza rica, vigorosa e esplendida, que a vista abraçava do alto do rochedo.

In the angle that this wing made with the rest of the house, there was a thing that we shall call a garden, and which in fact was a graceful imitation of all that rich, vigorous and splendid nature, which the eye took in from the height of the crag.

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NonooIn theanguloAN-goo-looanglequekethatestaES-tathisasaA-zawingfaziafa-ZEE-amadecomwithoootherestoRES-toorestdadaof thecasaKA-zahouse,haviaa-VEE-athere wasumaU-maacousaKOH-zathingquekethatchamaremossha-ma-RE-mooswe shall calljardimzhar-DEENa garden,eiandquekewhichdejeinfactoFA-toofacteraEH-rawasumaU-maaimitaçãoee-mee-ta-SOWNimitationgraciosagra-see-O-zagracefuldejeoftodaTO-daallessaEH-sathatnaturezana-too-RE-zanaturericaRREE-karich,vigorosavee-go-RO-zavigorouseiandesplendidaes-PLEN-dee-dasplendid,quekewhichaathevistaVEES-taeyeabraçavaa-bra-SA-vatook indodoofrom thealtoAL-tooheightdodooof therochedorro-SHE-doocrag.

The setting

In the angle this wing makes with the rest of the house lies what he half-jokingly calls a garden: a graceful miniature of all the rich wild nature the eye took in from the height.

A note on this passage

The narrator's wink — "a thing we shall call a garden" — admits the word is too grand for it, then redeems it: it copies in miniature the whole wild panorama below. Alencar's theme surfaces here, art imitating a Brazilian nature that is itself already art.

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