ALENCAR

O Guarani 1.5 · 1.5

Where it is still free

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Não é neste lugar que se deve vel-o; é sim tres ou quatro leguas acima de sua foz, onde é livre ainda, como o filho indomito dessa terra da liberdade.

It is not here that one should see it; but rather three or four leagues above its mouth, where it is still free, like the untamed son of that land of liberty.

Word by word

NãonãuNotéehis itnesteNESH-tein thislugarlu-GARplacequekethatseseonedeveDE-veshouldvel-oVE-lusee it;éehit issimrathertrestreshthreeouohorquatroKWA-trufourleguasLE-gwashleaguesacimaa-SEE-maupstreamdedeofsuaSU-aitsfozfoshmouth,ondeON-dewhereéehit islivreLEE-vrefreeaindaa-EEN-dastill,comoKO-mulikeouthefilhoFEE-lyusonindomitoin-DO-mi-tuuntameddessaDE-saof thatterraTE-rralanddadaofliberdadeli-ber-DA-deliberty.

The setting

Alencar stops us: the tamed lower river is not the real Paquequer. To see it truly, go upstream, where it still runs free — 'like the untamed son of that land of liberty.' The wild river is the book's emblem.

A note on this passage

Alencar turns and corrects us: forget the docile lower river — that was never the true Paquequer. The real one is upstream, 'livre ainda', still free. And in that one clause the landscape becomes the book's argument: 'the untamed son of that land of liberty.' Brazil as freedom's own country; the wild as the native, rightful state of things. Set against the 'submissive slave' the river became downstream, this is a manifesto in the shape of a river. The hero of the novel, the Indian Peri, is exactly this: the indomitable son of a free land.

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