Os Lusíadas 3.135 · 3.135

The Fountain of Tears

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As filhas do Mondego a morte escura Longo tempo chorando memoraram, E, por memória eterna, em fonte pura As lágrimas choradas transformaram; O nome lhe puseram, que inda dura, Dos amores de Inês que ali passaram. Vede que fresca fonte rega as flores, Que lágrimas são a água, e o nome amores.

The daughters of the Mondego long mourned that dark death, weeping over it for a great while; and, for an eternal memorial, they transformed the tears they had shed into a pure spring. They gave it the name that endures still, drawn from the love of Inês that unfolded there. See what a fresh fountain waters the flowers: its water is those tears, and its name is love.

Word by word

Asashto / atfilhasFEE-lyashdaughtersdodooof / fromMondegomon-DEH-goothe Mondegoauhto / atmorteMOR-tehdeathescuraesh-KOO-ruhdarkLongoLON-goolongtempoTEM-pootimechorandoshoo-RAN-dooweepingmemorarammeh-moo-RA-rãwcommemorated,Eeeand,porpoorthrough / by / formemóriameh-MO-ree-uhmemoryeternaeh-TER-nuheternal,emẽyin / onfonteFON-tehfountainpuraPOO-ruhpureAsashto / atlágrimasLA-gree-mashtearschoradasshoo-RA-dashwepttransformaramtrãsh-for-MA-rãwtransformed;OoothenomeNO-mehnamelhelyehto itpuserampoo-ZEH-rãwthey gave,quekehwho / which / thatindaEEN-duhstillduraDOO-ruhlasts,Dosdooshof / fromamoresuh-MO-reshlovesdedehof / fromInêsee-NESHInêsquekehwho / which / thataliuh-LEEtherepassarampuh-SA-rãwhappened.VedeVEH-dehseequekehwho / which / thatfrescaFRESH-kuhfreshfonteFON-tehfountainregaREH-guhwatersasashto / atfloresFLO-reshflowers,Quekehwho / which / thatlágrimasLA-gree-mashtearssãosãwareauhto / atáguaA-gwuhwater,eeeandooothenomeNO-mehnameamoresuh-MO-reshloves.

The setting

The closing stanza of the tale of Inês de Castro: after her murder, the nymphs of the Mondego river weep for her and turn their tears into a spring that still bears the name of her love.

A note on this passage

This stanza closes the story of Inês de Castro with a quiet metamorphosis: the river-nymphs' grief becomes a real spring near Coimbra, and the poem points to it as if to a place the reader could go and touch. The last line splits the fountain in two, telling us plainly what its water is (tears) and what its name means (love).

What a first reader can miss is that Camões is doing what Ovid does in the Metamorphoses, grounding a myth in a landmark that still exists, the Fonte dos Amores. The trick of the closing line, naming water and name in the same breath, makes the whole tragic episode survive not as a lesson but as a thing that waters flowers now, which is a stranger and gentler kind of immortality than the fame usually promised in an epic.

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