The Siren Vase — Odysseus bound to the mast; Attic red-figure, c. 480 BC, British Museum
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Odyssey 1.249 · Book 1, lines 249–251

Neither yes nor end — and the danger to himself

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ἡ δʼ οὔτʼ ἀρνεῖται στυγερὸν γάμον οὔτε τελευτὴν ποιῆσαι δύναται;· τοὶ δὲ φθινύθουσιν ἔδοντες οἶκον ἐμόν;· τάχα δή με διαρραίσουσι καὶ αὐτόν.

She neither refuses the hateful marriage, nor is able to make an end; and they, eating, consume my house; and soon they will destroy me too, myself.

Word by word

sheδʼd’(and)οὔτʼoút’neitherἀρνεῖταιarneîtairefusesστυγερὸνstygerònthe hatefulγάμονgámonmarriageοὔτεoútenorτελευτὴνteleutḕnan endποιῆσαιpoiêsaito makeδύναταιdýnataiis she able;·τοὶtoìand they,δὲ(and)φθινύθουσινphthinýthousinconsume [it],ἔδοντεςédonteseatingοἶκονoîkonmy houseἐμόνemón(my);·τάχαtáchasoonδήdḗ(indeed)μεmemeδιαρραίσουσιdiarrhaísousithey will destroyκαὶkaìevenαὐτόνautónmyself..

The setting

Still speaking to the disguised Athena, Telemachus states his mother's impossible position — she can neither accept a new marriage nor force the matter to a close — and then his own peril. These lines close his lament before the goddess answers.

A note on this passage

The lament reaches its core. Penelope is caught between two things she cannot do: she will not accept a new husband, and she has no power to force the suitors to a decision. Meanwhile they consume the estate day by day.

Then the last three words turn the whole scene. Until now the loss is property; ‘me too, myself’ makes it his life. A young prince with no grown kinsmen is a standing obstacle to men who want his mother and his house, and the boy knows it — the feast has a killing inside it. This is precisely the danger Athena has come to arm him against, and the reason her counsel, when it comes, is about survival before inheritance.

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