The Siren Vase — Odysseus bound to the mast; Attic red-figure, c. 480 BC, British Museum
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Odyssey 4.247 · Book 4, lines 247–248

Disguised as a beggar

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ἄλλῳ δʼ αὐτὸν φωτὶ κατακρύπτων ἤισκε, δέκτῃ, ὃς οὐδὲν τοῖος ἔην ἐπὶ νηυσὶν Ἀχαιῶν.

And disguising himself he made himself like another man, a beggar — one who was in no way such by the ships of the Achaeans.

Word by word

ἄλλῳállōianotherδʼd’and, but (connective)αὐτὸνautònhimselfφωτὶphōtìmanκατακρύπτωνkatakrýptōndisguisingἤισκεḗiskehe made [him] like,δέκτῃdéktēia beggar,ὃςhòswhoοὐδὲνoudènin no wayτοῖοςtoîossuchἔηνéēnwasἐπὶepìbyνηυσὶνnēusìnthe shipsἈχαιῶνAchaiônof the Achaeans.

The setting

Continuing the disguise: Odysseus does not merely dress down, he refashions himself into a specific figure — a beggar — utterly unlike the commander the Greeks knew back at the ships.

A note on this passage

The line sharpens the trick into a portrait. He becomes ‘another man,’ and the poem names him: a beggar, the lowest walker of roads. The last half-line measures the distance travelled — this is nothing like the man the army knew at the ships.

The undercurrent is how completely a hero can un-make himself. Homeric identity is usually fixed by epithet and rank; here Odysseus sheds both on purpose. The beggar is not a costume laid over the commander but a second, convincing person — the same doubling that later lets him sit unrecognized among the men eating his household alive.

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