The Siren Vase — Odysseus bound to the mast; Attic red-figure, c. 480 BC, British Museum
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Odyssey 4.249 · Book 4, lines 249–251

Helen alone knew him

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τῷ ἴκελος κατέδυ Τρώων πόλιν, οἱ δʼ ἀβάκησαν πάντες· ἐγὼ δέ μιν οἴη ἀνέγνων τοῖον ἐόντα, καί μιν ἀνηρώτων· ὁ δὲ κερδοσύνῃ ἀλέεινεν.

In that guise he stole into the Trojans' city, and they took no notice — all of them; but I alone knew him, being such as he was, and kept questioning him; but he, by cunning, kept evading me.

Word by word

τῷtôiin that guiseἴκελοςíkeloslike [that]κατέδυkatédyhe stole intoΤρώωνTrṓōnof the Trojansπόλινpólinthe city,οἱhoitheyδʼd’and, but (connective)ἀβάκησανabákēsantook no noticeπάντεςpántesall·ἐγὼegṑIδέand, but (connective)μινminhimοἴηoíēaloneἀνέγνωνanégnōnknewτοῖονtoîonsuchἐόνταeóntaas he was,καίkaíand / also / evenμινminhimἀνηρώτωνanērṓtōnkept questioning·hoheδὲand, but (connective)κερδοσύνῃkerdosýnēiby cunningἀλέεινενaléeinenkept evading.

The setting

Odysseus, disguised as a beggar, moves through Troy unrecognized. Helen — a Greek woman living inside the enemy city as Paris's wife — is the one exception.

A note on this passage

The whole city is blind and one woman sees. Helen sets herself apart: they were all fooled, ‘but I alone knew him.’ Then a small duel of wits — she presses him with questions, he slips every one by sheer craft, unwilling to be pinned even by the one who has seen through him.

The undercurrent is Helen's position, which the story keeps testing. Her recognition proves she is still Greek at heart, watching for her own; his evasion shows he does not yet trust her, and has reason not to. Two of the poem's great deceivers meet, and each is measuring the other. The scene lets Helen claim loyalty while quietly admitting she was, for a time, the enemy's wife.

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