The Siren Vase — Odysseus bound to the mast; Attic red-figure, c. 480 BC, British Museum
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Odyssey 4.277 · Book 4, lines 277–279

Calling the men in the voices of their wives

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τρὶς δὲ περίστειξας κοῖλον λόχον ἀμφαφόωσα, ἐκ δʼ ὀνομακλήδην Δαναῶν ὀνόμαζες ἀρίστους, πάντων Ἀργείων φωνὴν ἴσκουσʼ ἀλόχοισιν.

Three times you circled the hollow ambush, feeling all round it, and called out by name the best of the Danaans, likening your voice to the wives of all the Argives.

Word by word

τρὶςtrìsthree timesδὲ(and)περίστειξαςperísteixasyou circledκοῖλονkoîlonthe hollowλόχονlóchonambushἀμφαφόωσαamphaphóōsafeeling all round,ἐκek(out)δʼd’(and)ὀνομακλήδηνonomaklḗdēnby nameΔαναῶνDanaônof the Danaansὀνόμαζεςonómazesyou called outἀρίστουςarístousthe best,πάντωνpántōnof allἈργείωνArgeíōnthe Argivesφωνὴνphōnḕn[your] voiceἴσκουσʼískous’likeningἀλόχοισινalóchoisinto the wives.

The setting

Helen has come out to the wooden horse. Menelaus describes what she did: she walked around it, calling to the hidden Achaeans, each in the voice of his own wife back home.

A note on this passage

This is the temptation. Helen circles the horse three times, running her hands over it, and calls the buried men by name — and to each she throws back the voice of his own wife. A man who has not seen home in ten years hears, from just outside the timber, the exact sound of the woman he left.

The cruelty of it is precise. She does not attack the trick; she works on the longing that the trick depends on suppressing. Helen's gift all through Book 4 is mimicry and disguise — the same doubleness as the drug she pours — and here it is turned as a weapon against the very men come to reclaim her.

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