The Siren Vase — Odysseus bound to the mast; Attic red-figure, c. 480 BC, British Museum
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Odyssey 4.799 · Book 4, lines 799–801

Sent to still her weeping

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πέμπε δέ μιν πρὸς δώματʼ Ὀδυσσῆος θείοιο, ἧος Πηνελόπειαν ὀδυρομένην γοόωσαν παύσειε κλαυθμοῖο γόοιό τε δακρυόεντος.

And she sent it to the house of godlike Odysseus, so that it might stop Penelope, grieving and wailing, from her weeping and tearful lament.

Word by word

πέμπεpémpeshe sentδέ(and)μινminitπρὸςpròstoδώματʼdṓmat’the houseὈδυσσῆοςOdyssêosof Odysseusθείοιοtheíoiogodlike,ἧοςhêosso thatΠηνελόπειανPēnelópeianPenelopeὀδυρομένηνodyroménēngrievingγοόωσανgoóōsanand wailingπαύσειεpaúseieit might stopκλαυθμοῖοklauthmoîofrom her weepingγόοιόgóoióand lamentτεte(and)δακρυόεντοςdakryóentostearful.

The setting

Athena dispatches the phantom on its single errand: to cross into Odysseus's house and quiet Penelope's crying while she sleeps.

A note on this passage

The phantom is given its task in one sentence: go to the house of Odysseus and make Penelope stop her weeping. The line is heavy with grief-words stacked together — κλαυθμός (weeping), γόος (wailing), the tears of δακρυόεντος — three names for sorrow crowded into the clause that promises to end it.

The undercurrent is the smallness of the mercy. Athena does not fix anything — Odysseus is still lost, Telemachus still sailing into danger. She grants only a pause, sleep's brief truce from crying. The god who could do more chooses to soothe rather than to save, and the piling-up of lament-words measures exactly how much sorrow this one night's comfort is set against.

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