The Siren Vase — Odysseus bound to the mast; Attic red-figure, c. 480 BC, British Museum
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Odyssey 4.802 · Book 4, lines 802–803

The dream slips in and stands over her

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ἐς θάλαμον δʼ εἰσῆλθε παρὰ κληῖδος ἱμάντα, στῆ δʼ ἄρʼ ὑπὲρ κεφαλῆς, καί μιν πρὸς μῦθον ἔειπεν·

And into the chamber it slipped in, past the bolt's strap, and stood over her head, and spoke a word to her:

Word by word

ἐςesintoθάλαμονthálamonthe chamberδʼd’(and)εἰσῆλθεeisêltheit slipped inπαρὰparàpastκληῖδοςklēîdosthe bolt'sἱμάνταhimántastrap,στῆstêit stoodδʼd’(and)ἄρʼar’(then)ὑπὲρhypèroverκεφαλῆςkephalêsher head,καίkaíandμινminto herπρὸςpròs(in)μῦθονmŷthona wordἔειπενéeipenspoke·

The setting

The phantom reaches the sleeping Penelope. It enters the locked bedchamber and takes the standard position of a dream at the sleeper's head before it speaks.

A note on this passage

The apparition arrives. It passes into the chamber alongside the leather thong that works the door-bolt — through the fastened door, not around it — and takes its stand over Penelope's head, the fixed posture of a dream in Homer, before it speaks. Every detail is the ordinary machinery of a dream-visitation.

The closed door is the point. Penelope's room is bolted, her world shut and guarded, and none of it keeps the divine out; the phantom slips past the very strap that locks the door. And 'standing over the head' is the same formula by which a deceiving Dream comes to Agamemnon in the Iliad — the pose that brings comfort here is drawn from the same technology that elsewhere brings a lie.

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