Phaedrus 253d · 253d

The White Horse and the Dark

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Socrates — τῶν δὲ δὴ ἵππων ὁ μέν, φαμέν, ἀγαθός, ὁ δʼ οὔ·… τό τε εἶδος ὀρθὸς, λευκὸς ἰδεῖν, τιμῆς ἐραστὴς μετὰ σωφροσύνης τε καὶ αἰδοῦς, καὶ ἀληθινῆς δόξης ἑταῖρος, κελεύσματι μόνον καὶ λόγῳ ἡνιοχεῖται·
Socrates — ὁ δʼ αὖ σκολιός, σιμοπρόσωπος, γλαυκόμματος, ὕφαιμος, ὕβρεως καὶ ἀλαζονείας ἑταῖρος, κωφός, μάστιγι μετὰ κέντρων μόγις ὑπείκων

Of the two horses, one, we say, is good; the other, not. The good one stands upright, clean-limbed, high-necked, aquiline, white to look upon and dark-eyed: a lover of honor joined with temperance and reverent shame, friend of true opinion; he is driven without a blow, by command and word alone. The other is crooked, a heavy jumble of a beast — thick-necked, short-throated, snub-faced, black-skinned, his grey eyes bloodshot; friend of outrage and imposture, shaggy about the ears, deaf, and scarcely yielding to whip and goads together.

Word by word

Socrates
τῶνtônof theδὲbut / and / howeverδὴdḕindeed / thenἵππωνhíppōnhorses / the soul's driveshotheμένménon the one hand,φαμένphaménsay,ἀγαθόςagathósgood,hotheδʼd'but / and / howeverοὔnot·τόtheτεteand (intimate linking)εἶδοςeîdosform / kind / species / Formὀρθὸςorthòsupright,λευκὸςleukòswhite / brightἰδεῖνideînto look at,τιμῆςtimêshonor / worth / priceἐραστὴςerastḕslover / the one who desiresμετὰmetàwith / among / afterσωφροσύνηςsōphrosýnēstemperance / sound-mindedness / self-commandτεteand (intimate linking)καὶkaìand / alsoαἰδοῦςaidoûsreverent shame / awe / modesty,καὶkaìand / alsoἀληθινῆςalēthinêstrue / genuine / realδόξηςdóxēsopinion / judgment / seemingἑταῖροςhetaîroscompanion,κελεύσματιkeleúsmaticommand / order called outμόνονmónonalone / onlyκαὶkaìand / alsoλόγῳlógōiword / reason / speech / accountἡνιοχεῖταιhēniocheîtaidriven·
Socrates
hotheδʼd'but / and / howeverαὖagain / in turn / on the other handσκολιόςskolióscrooked / twisted,σιμοπρόσωποςsimoprósōpossnub-faced / flat-nosed (like Socrates),γλαυκόμματοςglaukómmatosgrey-eyed,ὕφαιμοςhýphaimosbloodshot,ὕβρεωςhýbreōsoutrageκαὶkaìand / alsoἀλαζονείαςalazoneíasimposture / boastful pretensionἑταῖροςhetaîroscompanion,κωφόςkōphósdeaf / dull / mute,μάστιγιmástigiwhip / scourgeμετὰmetàwith / among / afterκέντρωνkéntrōngoadsμόγιςmógisbarelyὑπείκωνhypeíkōnyielding

The setting

The chariot from 246a finally gets its full portrait. Two horses, described like entries in a breeder's catalogue — except one is virtue's physiognomy and the other is appetite's, down to a suspiciously familiar nose.

A note on this passage

The portrait is built on the ears. The white horse — upright (<em>orthós</em>), white (<em>leukós</em>, from the same shine-root as 'light'), lover of honor 'with temperance and <em>aidṓs</em>' — is steered 'by command and <em>word</em> alone': governance by λόγος, no whip required. The dark horse is 'shaggy about the ears — <em>deaf</em>' (<em>kōphós</em>): it cannot be persuaded because it cannot hear, so it yields only to whip and goads (<em>kéntra</em> — the sting that, pointed the other way, gave us 'center'). Plato's whole moral psychology in one anatomical detail: virtue is the part of the soul that responds to speech; appetite is the part reason cannot reach, only rein. Note too who its friends are — <em>hýbris</em> (outrage: in Athenian law a crime against persons, not a character flaw) and <em>alazoneía</em> (the braggart's imposture), keeping company under the warm word <em>hetaîros</em>, the same 'companion' the white horse gets for true opinion.<br><br>And one detail Plato's first readers laughed at: the dark horse is <em>simoprósōpos</em> — snub-faced. <em>Simós</em> was THE word for Socrates's famous nose (<em>Theaetetus</em> 143e; Alcibiades in the <em>Symposium</em> compares him to a satyr, and satyrs are all snub). The appetitive beast of the soul wears its portraitist's face. Even the white horse is not passionless — he is an <em>erastḗs</em>, a lover, of honor. Nothing in this soul is desire-free; the question the reins decide is only what each part loves, and whether it can hear.

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