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The Septuagint 4.23 · 4.23

The Song of Lamech

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εἶπεν δὲ Λάμεχ ταῖς ἑαυτοῦ γυναιξίν Ἀδὰ καὶ Σελλά, ἀκούσατέ μου τῆς φωνῆς· γυναῖκες Λάμεχ, ἐνωτίσασθέ μου τοὺς λόγους· ὅτι ἄνδρα ἀπέκτεινα εἰς τραῦμα ἐμοί, καὶ νεανίσκον εἰς μώλωπα ἐμοί·

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εἶπενeîpensaidδὲAndΛάμεχLámekhLamechταῖςtaîstoἑαυτοῦheautoûhis ownγυναιξίνgynaixínwivesἈδὰAdàAdahκαὶkaìandΣελλάSelláZillah,ἀκούσατέakoúsatéhearμουmoumyτῆςtêstheφωνῆςphōnêsvoice·γυναῖκεςgynaîkesO wivesΛάμεχLámekhof Lamech,ἐνωτίσασθέenōtísasthégive earμουmouto myτοὺςtoùstheλόγουςlógouswords·ὅτιhótiforἄνδραándraa manἀπέκτειναapékteinaI killedεἰςeisforτραῦμαtraûmaa woundἐμοίemoíto me,καὶkaìandνεανίσκονneanískona young manεἰςeisforμώλωπαmṓlōpaa bruiseἐμοίemoíto me·

The setting

Lamech's boast to his wives is the Bible's first poetry (marked by parallelism: "hear my voice… give ear to my words"), and its content is chilling: he escalates his ancestor Cain's crime, killing not in a field's privacy over a rejected sacrifice but ἄνδρα… καὶ νεανίσκον, "a man… and a young man," over a mere τραῦμα, "a wound," done to himself. ἐνωτίσασθέ, "give ear," is the very verb Peter later opens his Pentecost sermon with (Acts 2:14, Ἐνωτίσασθε τὰ ῥήματά μου, "give ear to my words") — an ironic echo, the summons to attention now serving the gospel rather than a murderer's brag.

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The Septuagint 4.23 — The Great Library Project interlinear edition · greatlibraryproject.com/book/septuagint/4.23/