The first author in history whose name we know was a woman, a priestess at Ur about 4,300 years ago. This shelf walks forward from her in time, in two halves. The first is her own words: poems, visions, letters and novels that women wrote. The second is her voice as men wrote it, from Diotima teaching Socrates about love to Mary Magdalene standing up to Peter. We keep the two apart, and where nobody is sure who wrote a text, we say so.
Texts written by women. Some survived because a man quoted them, or because they were bound into a man's book, and many more were lost.



Women as men wrote them: goddesses, priestesses, prophets, lovers and saints. These are men's books, but some of the strongest voices in them belong to women. Where she speaks only in one part of a longer book, the card opens the book at her page.












Enheduanna. Her hymns survive in copies made by scribes about five hundred years after her lifetime. Many scholars take them as hers. Others think later scribes wrote or reworked them in her name. We give her the name the tablets give her, and we say this on her page.
Sulpicia. Six short elegies in the third book of poems that has come down under Tibullus' name, 3.13 to 3.18, are generally taken as hers, and those are the six in our reader. Five more poems about her love affair, 3.8 to 3.12, may be by her, or by a poet writing about her, and scholars are divided on which.
Diotima. She appears only in Plato, and nothing outside his dialogue shows that she lived.
The letters of the Pythagorean women, Theano, Perictione, Phintys and Myia, whose authorship is argued over. Hypatia, none of whose books survive, read through the letters of her student Synesius and the account of her murder in 415. Then Perpetua's prison diary, Egeria's travels, Héloïse's letters, Hildegard of Bingen, Marguerite Porete, who was burned with her book in 1310, Thunder, Perfect Mind, and the sayings of Rabia al-Adawiyya, most of them written down long after her.
The goddesses have their own run of books too: see love and gender through the millennia and the Homeric Hymns.
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